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	<id>https://tekpercussion.com//index.php?action=history&amp;feed=atom&amp;title=Internal_Combustion</id>
	<title>Internal Combustion - Revision history</title>
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	<updated>2026-05-13T19:03:44Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://tekpercussion.com//index.php?title=Internal_Combustion&amp;diff=31627&amp;oldid=prev</id>
		<title>Admin: Created page with &quot;John Rack  &lt;!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer&#039;s name in the fields above. You may delete this text once this is done.--...&quot;</title>
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		<updated>2018-07-07T08:05:39Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/index.php?title=John_Rack&quot; class=&quot;mw-redirect&quot; title=&quot;John Rack&quot;&gt;John Rack&lt;/a&gt;  &amp;lt;!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer&amp;#039;s name in the fields above. You may delete this text once this is done.--...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[John Rack]]&lt;br /&gt;
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&amp;lt;!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer&amp;#039;s name in the fields above. You may delete this text once this is done.--&amp;gt;&lt;br /&gt;
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== General Info ==&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Year&amp;#039;&amp;#039;&amp;#039;: 1985&amp;lt;br /--&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Duration&amp;#039;&amp;#039;&amp;#039;:  c. 6:30 &amp;lt;br /--&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Difficulty&amp;#039;&amp;#039;&amp;#039;:  (see [[Ratings]] for explanation)&amp;lt;br /--&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Publisher&amp;#039;&amp;#039;&amp;#039;: [[MFP]]&amp;lt;br /--&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cost&amp;#039;&amp;#039;&amp;#039;: Score and Parts - $0.00  &amp;amp;nbsp;&amp;amp;nbsp;|&amp;amp;nbsp;&amp;amp;nbsp; Score Only - $0.00&amp;lt;br /--&amp;gt;&lt;br /&gt;
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==Movements==&lt;br /&gt;
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&amp;lt;!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break &amp;lt;nowiki&amp;gt;( &amp;lt;br /&amp;gt; )&amp;lt;/nowiki&amp;gt; at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --&amp;gt;&lt;br /&gt;
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== Instrumentation ==&lt;br /&gt;
Player I - V: Bongos, sandpaper blocks, pop-gun, high tom-tom, maracas, slapstick, snare drums(4), hi-hat, cow bells(2), wood block, vibraslap, shaker, guiro, tom-toms(4), claves&amp;lt;br&amp;gt; &lt;br /&gt;
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Player I: &amp;lt;br&amp;gt; &lt;br /&gt;
Player II: &amp;lt;br&amp;gt; &lt;br /&gt;
Player III: &amp;lt;br&amp;gt; &lt;br /&gt;
Player IV: &amp;lt;br&amp;gt; &lt;br /&gt;
Player V: &amp;lt;br&amp;gt; &lt;br /&gt;
Player VI: &amp;lt;br&amp;gt; &lt;br /&gt;
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Player VIII: &amp;lt;br&amp;gt;    --&amp;gt;&lt;br /&gt;
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== Program Notes ==&lt;br /&gt;
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=== Review ===&lt;br /&gt;
This short ensemble is written for five percussionists each playing a large assortment of instruments as follows: (player 1) bongos, sandpaper blocks, popgun, high tom-tom, maracas, (player 2) slapstick, three snare drums, hi-hat, two cowbells, woodblock, small metal snare drum; (player 3) vibraslap shaker, guiro, low tom-tom, (player 4) three tomtoms, small metal snare drum rum, two cowbells, woodblock; and (player 5) two cowbells, woodblock, maracas, claves, slapstick, shaker, and vibraslap. Rack marshals these forces in interesting fashion. The texture is carefully controlled throughout, using trio combinations (player 1, 2, 3 or 3, 4, 5), duets, and even solo sections, such as the section featuring player 2 on three snare drums. Only at the climax of the work in the last nine measures is a tutti statement found, and even then, the five players do not all play simultaneously, but rather in contrapuntal fashion. An ever-changing ostinato pattern is the unifying element that threads its way throughout the entire work. It begins as an accented sixteenth note figure in the shaker, changes to a dotted rhythm on muffled toms, briefly becomes a triplet pattern played by players 1, 2 and 3, and then an up-tempo eighth note figure written for maracas. This is followed by a triplet sixteenth note pattern on hi-hat, and a section where several patterns are layered and then played alternately, as solos. The piece begins with players 1, 2 and 3 joining together to play an oddly disjointed off-beat rhythm in tentative fashion, sounding much like an engine trying to start. At the conclusion of the work, the &amp;quot;engine&amp;quot; runs down, bringing the piece to an interesting close. The climax of the quintet features five popgun &amp;quot;shots,&amp;quot; perhaps suggestive of a backfiring engine. The interesting rhythms and rhythmic juxtapositions in this work make it an ideal vehicle for teaching purposes. (For example, eighth-, quarter-, and half-note triplets are juxtaposed, and patterns using sixteenth rests are set against a sixteenth note ostinato.) Rack&amp;#039;s composition makes a case for the claim that rhythm alone, if manipulated in an imaginative fashion, can result in music that not only successfully maintains the interest of the listener, but proves very entertaining as well. - John R. Raush&amp;lt;Ref&amp;gt;http://www.pas.org/resources/research/research-compositions&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Errata ==&lt;br /&gt;
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&amp;lt;!-- Enter errata...if there is none, enter this: {{none}}   You may delete this text once this is done.--&amp;gt;&lt;br /&gt;
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== Awards ==&lt;br /&gt;
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&amp;lt;!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--&amp;gt;&lt;br /&gt;
== Commercial Discography==&lt;br /&gt;
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===Online Recordings===&lt;br /&gt;
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{{#multimediaitem:SoundCloud|16040214|SoundCloud test}} --&amp;gt;&lt;br /&gt;
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&amp;lt;!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}}   You may delete this text once this is done.--&amp;gt;&lt;br /&gt;
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==Recent Performances==&lt;br /&gt;
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{{performances}}&lt;br /&gt;
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&amp;lt;!-- Enter any recent performances, but leave the above template to encourage further submissions. You may delete this text once this is done. --&amp;gt;&lt;br /&gt;
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== Works for Percussion by this Composer ==&lt;br /&gt;
{{Rack, John Works}}&amp;lt;br&amp;gt;&lt;br /&gt;
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&amp;lt;!-- Enter the composer&amp;#039;s other works for percussion. You may delete this text once this is done.&lt;br /&gt;
ie:   {{Becerra-Schmidt, Gustavo Works}}   --&amp;gt;&lt;br /&gt;
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== Additional Resources ==&lt;br /&gt;
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&amp;lt;!-- Enter any resources...if there are none, enter this: {{none}}    You may delete this text once this is done --&amp;gt;&lt;br /&gt;
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== References ==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
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[[Category:Percussion Ensemble Works]]&lt;br /&gt;
[[Category:Percussion Quintet Works]]&lt;br /&gt;
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&amp;lt;!-- Don&amp;#039;t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  --&amp;gt;&lt;br /&gt;
&amp;lt;!-- Don&amp;#039;t forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work.  --&amp;gt;&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
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