Admin at 06:31, 7 September 2013

2013-09-07T06:31:51Z

← Older revision		Revision as of 02:31, 7 September 2013
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	== General Info ==		== General Info ==

	'''Year''': ~~1987~~ <br /-->		'''Year''': 1990<br /-->
	'''Duration''': c. :00 <br /-->		'''Duration''': c. 18:00 <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[Zimmermann]]<br /-->		'''Publisher''': [[Zimmermann]]<br /-->
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	== Instrumentation ==		== Instrumentation ==
	[[Multiple Percussion]]: <br>		[[Multiple Percussion]]: [[vibraphone]], [[snare drum]], [[bongos]], [[tom-toms]](2), [[bass drum]], [[tambourine]], [[wood blocks]](5), [[log drums]](5), [[temple blocks]](5), [[cymbals]](5), [[crotales]](2), [[gong]], [[cow bells]](2), [[triangle]], [[gong]], [[tam tam]]<br>

	~~Player I: <br>~~
	~~Player II: <br>~~
	~~Player III: <br>~~
	~~Player IV: <br>~~
	~~Player V: <br>~~




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	== Program Notes ==		== Program Notes ==
			premiere: 1991, Weilburg, Germany, Peter Sadlo, soloist


			=== Review ===
			The four "pezzi" that comprise this tightly-written and well-planned work for solo multi-percussionist explore the tonal possibilities of a large assortment of instruments, while using the vibraphone as a focal point. In the "Prolog," metallic timbres contributed by crotales, triangle, sizzle cymbal, gong and tam-tam produce a rich amalgam of sound, especially when wedded to the sonority of the vibraphone. The second movement introduces membranophones and wood timbres, with the vibe contributing solo passages and an insistent ostinato pattern. The composer describes the third movement, a vibe solo with subtle embellishments on metallic percussion and vibraslap, as "a fantasy based on a sarabande rhythm." The last movement, appropriately titled "Vivace," uses a multi-metric scheme and rapid tempi, especially in the final section (quarter note = 152), ending the work on a virtuosic note. Hummel's style is eclectic, using everything from chromaticism and passages relying on whole-tone patterns, to seventh chords that impart a distinct jazz flavoring. The thirty-three individual instruments that must be huddled in proximity to the vibraphone will require an ingenious setup. However, the college percussionist who solves that challenge will reap the benefits offered by this excellent work. - John R. Raush, April 1996<ref>[http://www.pas.org PAS.ORG]</ref>


	== Errata ==		== Errata ==

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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
[[Bertold Hummel]]



== General Info ==

'''Year''': 1987 
'''Duration''': c. :00 
'''Difficulty''': (see [[Ratings]] for explanation) 
'''Publisher''': [[Zimmermann]] 
'''Cost''': Score and Parts - $0.00   |   Score Only - $0.00 

==Movements==



== Instrumentation ==
[[Multiple Percussion]]: 

Player I: 
Player II: 
Player III: 
Player IV: 
Player V: 



== Program Notes ==

== Errata ==



== Awards ==


== Commercial Discography==



==Recent Performances==

{{performances}}



== Works for Percussion by this Composer ==
{{Hummel, Bertold Works}}
 



== Additional Resources ==



 
 

== References ==
<references/>


 
 

[[Category:Template]]

Quattro Pezzi, op.92 - Revision history

Admin at 06:31, 7 September 2013

Admin: Created page with "{{subst:WorksTF}}"