Difference between revisions of "Coexistence"
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
Latest revision as of 03:20, 24 April 2024
General Info
Year: 1979
Duration: c. 9:00
Difficulty: Grade V (see Ratings for explanation)
Publisher: Brixton
Cost: Score and Parts - $28.50 | Score Only - $0.00
Instrumentation
Player I: Xylophone, tubular chimes, orchestra bells, tom-toms(4), sizzle cymbal, tam tam, triangle, metal wind chimes
Player II: Vibraphone, celesta, triangle, tambourine, temple blocks, maracas, snare drum
Player III: Suspended cymbals(2), triangle, cow bell, snare drum, bass drum, tam tam
Player IV: Marimba, timpani(2), cow bell, tam tam, ratchet, whip, hi-hat, metal wind chimes
Program Notes
COEXISTENCE (1979) for clarinet and four percussion by Howard J. Buss. Dramatic tension permeates this work as the solitary clarinet is pitted against the potentially explosive and overpowering might of the percussion ensemble.The state of fragile coexistence between the clarinetist and the percussionists at times requires the conductor to function as a “referee” in order to preserve the dynamic balance. The most theatrical example of this occurs about midway through the composition. At this point the music builds to a deafening, chaotic fury during which the clarinetist has no chance of being heard. The director restores order by “disciplining” the percussionists with a piercing blast on a police whistle. In contrast, Coexistence contains sections of relatively low intensity with delicate coloristic shadings and intricate ensemble coordination. Timbral modulations figure prominently throughout the work. Percussion distribution: Percussion 1: Xylophone, chimes (tubular bells), orchestra bells, 4 tom toms, sizzle cymbal, tam-tam, triangle and wind chimes; Percussion 2: Vibraphone, celesta (muted orchestra bells may by substituted), triangle, tambourine, temple blocks, maracas, and snare drum; Percussion 3: 2 suspended cymbals, triangle, cow bell, snare drum, bass drum, and tam tam; Percussion 4: Marimba, timpani (1), cow bell, large tam-tam (which may be shared with players 1 and 3), ratchet, whip, hi-hat, and wind chimes.“An exquisite concert piece that will keep listeners on the edges of their seats! “ - The Clarinet.”This is recommended literature.” - Percussive Notes [1]
COEXISTENCE for clarinet and 4 percussion by Howard J. Buss. Dramatic tension permeates this work as the solitary clarinet is pitted against the potentially explosive and overpowering might of the percussion ensemble.The state of fragile coexistence between the clarinetist and the percussionists at times requires the conductor to function as a “referee” in order to preserve the dynamic balance. The most theatrical example of this occurs about midway through the composition. At this point the music builds to a deafening, chaotic fury during which the clarinetist has no chance of being heard. The director restores order by “disciplining” the percussionists with a piercing blast on a police whistle. In contrast, Coexistence contains sections of relatively low intensity with delicate COEXISTENCE shadings and intricate ensemble coordination.
Performed by clarinetist Judy E. Buss and The University of South Florida Percussion Ensemble directed by Robert McCormick on November 18, 1979 (the premier). Published by Cimarron Music Press (Brixton Publications) - https://www.cimarronmusic.com/coexist...
Review
Errata
6th Bar after A - Part 3 - "Slide" on cymbal. - Should be a scrape sound... end of mallet or light metal beater. Performed quickly with a let ring. (TF)
Awards
Commercial Discography
Online Recordings
Recent Performances
Performed on 4/23/24 - Emporia State University Percussion Ensemble - Featuring Dr. Dawn McConkie, Clarinet. Albert Taylor Concert Hall
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
A Day In The City - Marimba
American Pheonix - Percussion Quartet; Bass Trombone or Tuba
Atmospheres - Multiple Percussion; Trumpet
Behind The Invisible Mask - Multiple Percussion; Bassoon
Boom Time - Multiple Percussion; Trombone
Capriccio (Buss) - Multiple Percussion; Clarinet; Trombone
Coexistence - Percussion Quartet; Clarinet
Crossroads - Percussion Octet; Trombone Choir
Currents - Percussion Trio
De La Madera - Marimba; Oboe
Dream Sequence - Percussion Quartet; Trombone
Escapade - Percussion Quartet; Saxophone
Impromptu - Marimba; Clarinet or Sop. Saxophone
Incantation - Multiple Percussion; Trumpet
Into Each Life - Multiple Percussion; Flute; Cello; Piano
Kaleidoscope (Buss) - Multiple Percussion; Flute
Modern Times - Percussion Quartet; Flute/Piccolo; Narrator
Mysterious Exit - Percussion Quartet; Flute/Piccolo
Night Tide - Marimba; Trombone
Overture for Percussion - (Buss) - Percussion Ensemble
Rendezvous (Buss) - Multiple Percussion; Trumpet(4)
Rite of Passage - Marimba; Flute
Scenes From The Holy Land - Multiple Percussion; Flute
Sci-Fi Percussives - Percussion Ensemble(12)
Sky Blossoms - Multiple Percussion; Flute
Sonic Fables: "Lessons from Aesop" - Multiple Percussion; Brass Quintet
Spanish Memoirs - Percussion Quartet; Trumpet
Stellar Visions - Marimba; Flute
The Big Bang (Buss) - Percussion Sextet; Piano
There Is A Season - Percussion Duo; Clarinet
Two Caprices - Marimba; Flute; Oboe
Wave Train - Marimba; Flute
Where Now Rusts The Iron? - Percussion Quartet; Soprano; Flute; Cello
Additional Resources
References