Difference between revisions of "Hawthorn"
Rubyng2004 (talk | contribs) (Created page with "{{subst:works}}") |
Rubyng2004 (talk | contribs) |
||
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | [[ | + | [[Adam Groh]] |
| − | |||
| − | |||
| − | |||
| − | |||
== General Info == | == General Info == | ||
| − | + | '''Year of Published''': 2012<br /--> | |
| − | ''' | + | '''Publisher''': [[Title Publisher]]<br /--> |
| + | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Duration''': c. <br /--> | '''Duration''': c. <br /--> | ||
| − | |||
| − | |||
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
| − | |||
==Movements== | ==Movements== | ||
| Line 19: | Line 13: | ||
== Instrumentation == | == Instrumentation == | ||
| − | + | 5 Concert [[Tom Toms]] / [[Bongos]] + [[Congas]] | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
== Program Notes == | == Program Notes == | ||
| − | + | During the summer of 2012 I spent three weeks at the Massachusetts Museum of Contemporary Art (MASS MoCA, as it is affectionately referred to) participating in the Bang on a Can Summer Music Festival. Besides providing the obvious opportunity for musical growth, the festival also exposes its faculty and fellows to some of the greatest modern visual artists in the world. Those familiar with MASS MoCA know that one of their most treasured collections is the world’s largest display of Sol Lewitt wall drawings. Housed in a three-story gallery, the collection chronicles the entire career of Lewitt, from his earliest sketches and experiments, to the bold and vibrant works of his last years. Personally, I was struck by the way in which Lewitt could create an entire work using only a few basic elements or a set of simple instructions. Despite their almost elementary nature, Lewitt’s works are absolutely astonishing, and their effect is remarkable, especially when realized in true MASS MoCA fashion… BIG! However, that wasn’t the only aspect of Lewitt’s work that resonated with me. All of his pieces are conceptual, meaning that a Lewitt work isn’t bought and hung on a wall. You buy the instructions, and then you follow them in order to make the work yourself. This offers a great deal of freedom to whoever is realizing the piece. They can choose whatever shade of colors they prefer. They can choose the size of the surface upon which they will display the work. And the list of possibilities goes on… I couldn’t help but see the obvious connection to music, in which a composer provides a score to be realized by a performer. Pieces are not often performed only one time, in one setting, much the way that priceless works of art live in the same gallery for generations. Music is interpreted and performed all over the world, by many different artists. It is always changing. hawthorn was written using the same principles that Lewitt used to create his “Wall Drawing 422,” except rather than using bands of color, I chose to use small musical fragments that I derived from numbers that are significant to me. | |
=== Review === | === Review === | ||
| Line 65: | Line 47: | ||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Groh, Adam Works}}<br> |
| − | |||
| − | |||
| − | |||
| − | |||
== Additional Resources == | == Additional Resources == | ||
| Line 86: | Line 64: | ||
<br /> | <br /> | ||
| − | [[Category: | + | [[Category: Solo Works]] |
| − | + | [[Category: Multiple Percussion Works]] | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Latest revision as of 02:59, 1 November 2025
General Info
Year of Published: 2012
Publisher: Title Publisher
Difficulty: (see Ratings for explanation)
Duration: c.
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
5 Concert Tom Toms / Bongos + Congas
Program Notes
During the summer of 2012 I spent three weeks at the Massachusetts Museum of Contemporary Art (MASS MoCA, as it is affectionately referred to) participating in the Bang on a Can Summer Music Festival. Besides providing the obvious opportunity for musical growth, the festival also exposes its faculty and fellows to some of the greatest modern visual artists in the world. Those familiar with MASS MoCA know that one of their most treasured collections is the world’s largest display of Sol Lewitt wall drawings. Housed in a three-story gallery, the collection chronicles the entire career of Lewitt, from his earliest sketches and experiments, to the bold and vibrant works of his last years. Personally, I was struck by the way in which Lewitt could create an entire work using only a few basic elements or a set of simple instructions. Despite their almost elementary nature, Lewitt’s works are absolutely astonishing, and their effect is remarkable, especially when realized in true MASS MoCA fashion… BIG! However, that wasn’t the only aspect of Lewitt’s work that resonated with me. All of his pieces are conceptual, meaning that a Lewitt work isn’t bought and hung on a wall. You buy the instructions, and then you follow them in order to make the work yourself. This offers a great deal of freedom to whoever is realizing the piece. They can choose whatever shade of colors they prefer. They can choose the size of the surface upon which they will display the work. And the list of possibilities goes on… I couldn’t help but see the obvious connection to music, in which a composer provides a score to be realized by a performer. Pieces are not often performed only one time, in one setting, much the way that priceless works of art live in the same gallery for generations. Music is interpreted and performed all over the world, by many different artists. It is always changing. hawthorn was written using the same principles that Lewitt used to create his “Wall Drawing 422,” except rather than using bands of color, I chose to use small musical fragments that I derived from numbers that are significant to me.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Solo Works
Hawthorn
Metatation
Mini-Me
Rex
Thunder Tumbler
Ensemble Works
Confluence - 3 Players
Picidae - 6 Players
Additional Resources
References