Difference between revisions of "Escapade (Buss)"
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== Instrumentation == | == Instrumentation == | ||
| − | Player | + | Player 1: [[Timpani]](4), [[temple blocks]], [[snare drum]], [[suspended cymbals]](2) <br> |
| − | Player | + | Player 2: [[Glockenspiel]], [[xylophone]], [[maracas]], [[triangle]], [[cowbells]], suspended cymbal, [[windchimes]] <br> |
| − | Player | + | Player 3: [[Vibraphone]], [[tam tam]], [[roto-toms]](5), [[claves]] <br> |
| − | Player | + | Player 4: [[Marimba]], [[guiro]], [[suspended cymbal]] <br> |
| − | [[Alto Saxophone]]<br> | + | Player 5: [[Alto Saxophone]]<br> |
| Line 32: | Line 32: | ||
== Program Notes == | == Program Notes == | ||
ESCAPADE (1991) for alto saxophone and four percussion by Howard J. Buss.This colorful and inventive composition explores a sequence of emotional states which develop over a talea, a fixed pattern of time values. Except during the extended saxophone cadenza, this repeating rhythmic pattern can be heard throughout the work in varying degrees of intensity. At times it is forcibly presented by the musicians moving in rhythmic unison. On other occasions the talea is fragmented and distributed among the players. Frequently this rhythmic pattern is embedded in the presentation of melodic material similar to the technique of isorhythm as it was employed by 14th-century masters such as Machaut and de Vitry. The continuous variation of the unifying talea coupled with the work’s intriguing melodies and exotic timbral contrasts, make this an accessible and enjoyable concert work. Percussion distribution: Percussion 1: Timpani (4), temple blocks, snare drum, and 2 suspended cymbals; Percussion 2: Orchestra bells, xylophone, maracas, triangle, 2 cow bells, suspended cymbal, and chime tree; Percussion 3: Vibraphone, tam-tam, roto toms, and claves; Percussion 4: Marimba, guiro, and 2 suspended cymbals. “By far the night’s most memorable piece.” - The Los Angeles Times. | ESCAPADE (1991) for alto saxophone and four percussion by Howard J. Buss.This colorful and inventive composition explores a sequence of emotional states which develop over a talea, a fixed pattern of time values. Except during the extended saxophone cadenza, this repeating rhythmic pattern can be heard throughout the work in varying degrees of intensity. At times it is forcibly presented by the musicians moving in rhythmic unison. On other occasions the talea is fragmented and distributed among the players. Frequently this rhythmic pattern is embedded in the presentation of melodic material similar to the technique of isorhythm as it was employed by 14th-century masters such as Machaut and de Vitry. The continuous variation of the unifying talea coupled with the work’s intriguing melodies and exotic timbral contrasts, make this an accessible and enjoyable concert work. Percussion distribution: Percussion 1: Timpani (4), temple blocks, snare drum, and 2 suspended cymbals; Percussion 2: Orchestra bells, xylophone, maracas, triangle, 2 cow bells, suspended cymbal, and chime tree; Percussion 3: Vibraphone, tam-tam, roto toms, and claves; Percussion 4: Marimba, guiro, and 2 suspended cymbals. “By far the night’s most memorable piece.” - The Los Angeles Times. | ||
| + | <br> | ||
| + | <br> | ||
| + | premiere: 28 October 1991, Tampa Florida, USFPE, Robert McCormick, dir., Art Woodbury, solo<nr> | ||
== Commercial Discography== | == Commercial Discography== | ||
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<br /> | <br /> | ||
| − | [[Category: | + | [[Category:Percussion Ensemble Works]] |
| + | [[Category:Percussion Quartet Works]] | ||
| + | [[Category:Saxophone Works]] | ||
Latest revision as of 23:08, 3 July 2023
General Info
Year: 1991
Duration: c. 11:30
Difficulty: GRade IV - V (see Ratings for explanation)
Publisher: Brixton
Cost: Score and Parts - $28.50 | Score Only - $0.00
Movements
Instrumentation
Player 1: Timpani(4), temple blocks, snare drum, suspended cymbals(2)
Player 2: Glockenspiel, xylophone, maracas, triangle, cowbells, suspended cymbal, windchimes
Player 3: Vibraphone, tam tam, roto-toms(5), claves
Player 4: Marimba, guiro, suspended cymbal
Player 5: Alto Saxophone
Program Notes
ESCAPADE (1991) for alto saxophone and four percussion by Howard J. Buss.This colorful and inventive composition explores a sequence of emotional states which develop over a talea, a fixed pattern of time values. Except during the extended saxophone cadenza, this repeating rhythmic pattern can be heard throughout the work in varying degrees of intensity. At times it is forcibly presented by the musicians moving in rhythmic unison. On other occasions the talea is fragmented and distributed among the players. Frequently this rhythmic pattern is embedded in the presentation of melodic material similar to the technique of isorhythm as it was employed by 14th-century masters such as Machaut and de Vitry. The continuous variation of the unifying talea coupled with the work’s intriguing melodies and exotic timbral contrasts, make this an accessible and enjoyable concert work. Percussion distribution: Percussion 1: Timpani (4), temple blocks, snare drum, and 2 suspended cymbals; Percussion 2: Orchestra bells, xylophone, maracas, triangle, 2 cow bells, suspended cymbal, and chime tree; Percussion 3: Vibraphone, tam-tam, roto toms, and claves; Percussion 4: Marimba, guiro, and 2 suspended cymbals. “By far the night’s most memorable piece.” - The Los Angeles Times.
premiere: 28 October 1991, Tampa Florida, USFPE, Robert McCormick, dir., Art Woodbury, solo<nr>
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
A Day In The City - Marimba
American Pheonix - Percussion Quartet; Bass Trombone or Tuba
Atmospheres - Multiple Percussion; Trumpet
Behind The Invisible Mask - Multiple Percussion; Bassoon
Boom Time - Multiple Percussion; Trombone
Capriccio (Buss) - Multiple Percussion; Clarinet; Trombone
Coexistence - Percussion Quartet; Clarinet
Crossroads - Percussion Octet; Trombone Choir
Currents - Percussion Trio
De La Madera - Marimba; Oboe
Dream Sequence - Percussion Quartet; Trombone
Escapade - Percussion Quartet; Saxophone
Impromptu - Marimba; Clarinet or Sop. Saxophone
Incantation - Multiple Percussion; Trumpet
Into Each Life - Multiple Percussion; Flute; Cello; Piano
Kaleidoscope (Buss) - Multiple Percussion; Flute
Modern Times - Percussion Quartet; Flute/Piccolo; Narrator
Mysterious Exit - Percussion Quartet; Flute/Piccolo
Night Tide - Marimba; Trombone
Overture for Percussion - (Buss) - Percussion Ensemble
Rendezvous (Buss) - Multiple Percussion; Trumpet(4)
Rite of Passage - Marimba; Flute
Scenes From The Holy Land - Multiple Percussion; Flute
Sci-Fi Percussives - Percussion Ensemble(12)
Sky Blossoms - Multiple Percussion; Flute
Sonic Fables: "Lessons from Aesop" - Multiple Percussion; Brass Quintet
Spanish Memoirs - Percussion Quartet; Trumpet
Stellar Visions - Marimba; Flute
The Big Bang (Buss) - Percussion Sextet; Piano
There Is A Season - Percussion Duo; Clarinet
Two Caprices - Marimba; Flute; Oboe
Wave Train - Marimba; Flute
Where Now Rusts The Iron? - Percussion Quartet; Soprano; Flute; Cello
Additional Resources
References