Difference between revisions of "Changing Tensions"
(Created page with "Changing Tensions in two movements Published by Media Press (Copied and edited by Ron Coulter) Duration: I. 1:39, II. 1:48 ==Instrumentation== P1. 5 temple blocks, Burmese...") |
|||
| Line 1: | Line 1: | ||
| − | Changing Tensions | + | Changing Tensions (c. 1939) |
Published by Media Press (Copied and edited by Ron Coulter) | Published by Media Press (Copied and edited by Ron Coulter) | ||
| − | Duration: I. 1:39, II. 1:48 | + | Duration: I. Moderately Fast 1:39, II. Slow 1:48 |
==Instrumentation== | ==Instrumentation== | ||
Revision as of 12:08, 9 November 2025
Changing Tensions (c. 1939)
Published by Media Press (Copied and edited by Ron Coulter)
Duration: I. Moderately Fast 1:39, II. Slow 1:48
Instrumentation
P1. 5 temple blocks, Burmese gong, Chinese gong, Italian gong, African bell, gong, tom tom (edge)
P2. maracas, 3 small tom toms (tops/edges)
P3. 3 gongs, xylophone (3 notes), Turkish cymbal, 5 gongs
P4. 4 low drums
Performances
April 3, 2011 (Carbondale, IL)at the 5th Annual Outside the Box New Music Festival; Southern Illinois University Carbondale Percussion Group (SIUCPG), conducted by Ron Coulter. That program also included world premiers of Beyer’s PERCUSSION, Strive, Horizons, and Daniel Kessner’s A Knocktet. As well as rare performances of Colin McPhee’s Kachapi Mas, Lou Harrison’s Oriental, and Jose Ardevol’s Preludio a 11.
Recordings
ORIGINS: forgotten percussion works, vol. 1 https://percussionartensemble.bandcamp.com/album/origins-forgotten-percussion-works-vol-1