Concerto for Two Percussionists and Orchestra - Revision history

Admin: Text replacement - "Year of Published" to "Year"

2026-01-05T15:31:01Z

Text replacement - "Year of Published" to "Year"

← Older revision		Revision as of 11:31, 5 January 2026
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	[[Jonathan Leshnoff]]		[[Jonathan Leshnoff]]
	== General Info ==		== General Info ==
	Year ~~of Published~~: 2011 <br/>		Year: 2011 <br/>
	Publisher: [[Leshnoff Publishing]] <br/>		Publisher: [[Leshnoff Publishing]] <br/>
	Duration: 00:23:00<br/>		Duration: 00:23:00<br/>

Rubyng2004: /* Program Notes */

2025-07-08T05:06:57Z

Program Notes

← Older revision		Revision as of 01:06, 8 July 2025
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	Jonathan Leshnoff’s composition, Concerto for Two Percussionists and Orchestra, was written in 2011 for the Meehan-Perkins Duo, who co-commissioned the work along with the International Festival-Institute at Round Top, Baylor University, the River Oaks Chamber Orchestra and the Duluth-Superior Symphony Orchestra. The composition was premiered at the Round Top Festival Orchestra in June 2012 and has undergone revisions that ultimately led to the success that it is today.		Jonathan Leshnoff’s composition, Concerto for Two Percussionists and Orchestra, was written in 2011 for the Meehan-Perkins Duo, who co-commissioned the work along with the International Festival-Institute at Round Top, Baylor University, the River Oaks Chamber Orchestra and the Duluth-Superior Symphony Orchestra. The composition was premiered at the Round Top Festival Orchestra in June 2012 and has undergone revisions that ultimately led to the success that it is today.

	Unlike many of the concerti published by Leshnoff, this piece is in three movements that dynamically shift in tempo and timbre as new thematic material is introduced for each. The first movement is a fast-paced allegro that commences with a conversation between the percussion soloists and the orchestra. Rhythmic staccato motives quickly trade back and forth between the solo percussionists as the orchestra interjects with exuberant commentary. The movement focuses on unpitched percussive sounds such as toms, cymbals, woodblocks, and bongos that energetically open the piece with a forward rushing tempo, leaving the audience on the edge of their seats as the movement comes to an inconclusive and sudden ending. The second movement provides contrast with metallic pitched sounds of the vibraphone and crotales in a very contemplative and introverted manner. Long ethereal melodies crescendo to a climatic passage accompanied by the orchestral timpani, yet the movement ends in an eerily hushed tone. Following the second movement is a cadenza for two soloists that grows in intensity through a continual build on pitched rhythmic figures and shifts to a brighter tone. The third movement arrives in exuberant energy; its coda resolves in a beautifully positive light carried by the sounds of two marimbas.		Unlike many of the concerti published by Leshnoff, this piece is in three movements that dynamically shift in tempo and timbre as new thematic material is introduced for each. The first movement is a fast-paced allegro that commences with a conversation between the percussion soloists and the orchestra. Rhythmic staccato motives quickly trade back and forth between the solo percussionists as the orchestra interjects with exuberant commentary. The movement focuses on unpitched percussive sounds such as toms, cymbals, woodblocks, and bongos that energetically open the piece with a forward rushing tempo, leaving the audience on the edge of their seats as the movement comes to an inconclusive and sudden ending. The second movement provides contrast with metallic pitched sounds of the vibraphone and crotales in a very contemplative and introverted manner. Long ethereal melodies crescendo to a climatic passage accompanied by the orchestral timpani, yet the movement ends in an eerily hushed tone. Following the second movement is a cadenza for two soloists that grows in intensity through a continual build on pitched rhythmic figures and shifts to a brighter tone. The third movement arrives in exuberant energy; its coda resolves in a beautifully positive light carried by the sounds of two marimbas.

	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==

Rubyng2004: Created page with "Jonathan Leshnoff == General Info == Year of Published: 2011
Publisher: Leshnoff Publishing
Duration: 00:23:00
== Instrumentation == === Solo === ===..."

2025-07-08T03:11:39Z

Created page with "Jonathan Leshnoff == General Info == Year of Published: 2011 Publisher: Leshnoff Publishing Duration: 00:23:00 == Instrumentation == === Solo === ===..."

New page

[[Jonathan Leshnoff]]
== General Info ==
Year of Published: 2011 
Publisher: [[Leshnoff Publishing]] 
Duration: 00:23:00 

== Instrumentation ==
=== Solo ===
==== Player 1 ====
Pitched Percussion: [[Glockenspiel]] & [[Marimba]] & [[Vibraphone]] & [[Crotales]] & [[Almglocken]] & [[Pitched Gongs]] 
Unpitched Percussion: [[Temple Blocks]] / [[Wood Blocks]] & [[Log Drums]] & [[Bongos]] & [[Snare Drum]] & [[Triangle]] 
==== Player 2 ====
Pitched Percussion: [[Crotales]] & [[Vibraphone]] & [[Marimba]] & [[Chimes]] & [[Ptiched Gongs]] & [[Temple Bowl]] & [[Thai Gong]] & [[Finger Cymbals]] 
Unpitched Percussion: [[Bass Drum]] & 4 Concert [[Tom Tom]]s & [[Tam Tam]] 5 [[Suspended Cymbal]]s & [[Hi Hat]] 
=== Orchestra ===
Woodwinds: Flutes & Oboes & Clarinet & Bassoons 
Brass: French Horns & Trumpet & Trombone & Bass Trombone 
Percussion: Timpani 
String: Violin / Viola / Cello / Double Bass/ Harp 

== Program Notes ==
Jonathan Leshnoff’s composition, Concerto for Two Percussionists and Orchestra, was written in 2011 for the Meehan-Perkins Duo, who co-commissioned the work along with the International Festival-Institute at Round Top, Baylor University, the River Oaks Chamber Orchestra and the Duluth-Superior Symphony Orchestra. The composition was premiered at the Round Top Festival Orchestra in June 2012 and has undergone revisions that ultimately led to the success that it is today.

Unlike many of the concerti published by Leshnoff, this piece is in three movements that dynamically shift in tempo and timbre as new thematic material is introduced for each. The first movement is a fast-paced allegro that commences with a conversation between the percussion soloists and the orchestra. Rhythmic staccato motives quickly trade back and forth between the solo percussionists as the orchestra interjects with exuberant commentary. The movement focuses on unpitched percussive sounds such as toms, cymbals, woodblocks, and bongos that energetically open the piece with a forward rushing tempo, leaving the audience on the edge of their seats as the movement comes to an inconclusive and sudden ending. The second movement provides contrast with metallic pitched sounds of the vibraphone and crotales in a very contemplative and introverted manner. Long ethereal melodies crescendo to a climatic passage accompanied by the orchestral timpani, yet the movement ends in an eerily hushed tone. Following the second movement is a cadenza for two soloists that grows in intensity through a continual build on pitched rhythmic figures and shifts to a brighter tone. The third movement arrives in exuberant energy; its coda resolves in a beautifully positive light carried by the sounds of two marimbas.

== Works for Percussion by this Composer ==
{{Leshnoff, Jonathan Works}}

== Reference ==

[[Category: Percussion Concerto Works]]

Concerto for Two Percussionists and Orchestra - Revision history

Admin: Text replacement - "Year of Published" to "Year"

Rubyng2004: /* Program Notes */

Rubyng2004: Created page with "Jonathan Leshnoff == General Info == Year of Published: 2011 Publisher: Leshnoff Publishing Duration: 00:23:00 == Instrumentation == === Solo === ===..."

Rubyng2004: Created page with "Jonathan Leshnoff == General Info == Year of Published: 2011
Publisher: Leshnoff Publishing
Duration: 00:23:00
== Instrumentation == === Solo === ===..."