The Bells (Byrd): Difference between revisions
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Composer: [[William Byrd]] <br/> | Composer: [[William Byrd]] <br/> | ||
Arranger: [[John Raush]] <br/> | Arranger: [[John Raush]] <br/> | ||
Publisher: [[Row- | Publisher: [[Row-Loff Productions]] <br/> | ||
Difficulty: Advanced <br/> | Difficulty: Advanced <br/> | ||
Duration: 00:03:33 <br/> | Duration: 00:03:33 <br/> | ||
| Line 19: | Line 19: | ||
Player 10: [[Chimes]] <br/> | Player 10: [[Chimes]] <br/> | ||
Player 11: [[Piano]] <br/> | Player 11: [[Piano]] <br/> | ||
Player 12: | Player 12: [[Finger Cymbals]] & [[Suspended Cymbal]] & [[Bass Drum]] <br/> | ||
Player 13: [[Tam Tam]] & [[Hand Cymbals]] & Tuned [[Gongs]] <br/> | |||
== | == Description == | ||
John Raush has captured the essence of William Byrd's work "The Bells", with this arrangement. The movement opens with the haunting sounds of two pitched gongs in C and D. The piece goes on to display an imitative texture through most of the piece. | |||
== | == Commercial Recordings == | ||
== | == Recent Performance == | ||
<embedvideo service="youtube"> https://www.youtube.com/watch?v=DrGfr-VTqf0 </embedvideo> | |||
==Reference== | == Additional Resources == | ||
== Reference == | |||
[[Category: Percussion Ensemble Works]] | [[Category: Percussion Ensemble Works]] | ||
[[Category: Percussion | [[Category: Percussion 13 Works]] | ||
[[Category: Transcription Works]] | [[Category: Transcription Works]] | ||
Latest revision as of 21:57, 8 August 2026
General Info
Composer: William Byrd
Arranger: John Raush
Publisher: Row-Loff Productions
Difficulty: Advanced
Duration: 00:03:33
Cost: $45.00
Instrumentation
Player 1: Marimba 1
Player 2: Marimba 2
Player 3: Marimba 3
Player 4: Marimba 4
Player 5: Vibraphone 1
Player 6: Vibraphone 2
Player 7: Glockenspiel
Player 8: Xylophone
Player 9: Timpani
Player 10: Chimes
Player 11: Piano
Player 12: Finger Cymbals & Suspended Cymbal & Bass Drum
Player 13: Tam Tam & Hand Cymbals & Tuned Gongs
Description
John Raush has captured the essence of William Byrd's work "The Bells", with this arrangement. The movement opens with the haunting sounds of two pitched gongs in C and D. The piece goes on to display an imitative texture through most of the piece.